Saturday, 23 January 2016

The Historical Sew Monthly - January Challenge: Procrastination

When you live and love all things history, textile and crafts as I do, it's almost impossible to stick to one period of interest when it comes to reenactment or similar activities. There's simply too much fascinating stuff out there to find out about, but over the years, I've been exceptionally good at staying with my chosen period. After a false start in the Viking Age and a short detour into the late 13th/early 14th century, I've been firmly lodged in the late 1300s. It's got everything I want, and just enough of it to make interesting. The sources are more varied and detailed than for the Viking Age, but a lot of detective work and interpretations are still needed to create a reasonably accurate material impression of the time (not to mention what it takes to achieve even a tiny bit of the non-material aspects!). For me, half the fun is figuring things out, reading up on this and that and looking for sources and references. And making stuff, of course; most late 14th century clothing and the (reconstructed) methods of their construction are still simple enough for someone like me without formal training in dress-making to manage.

But then I started working at the Textile Museum. It's the only museum in Sweden solely dedicated to textiles, but it's main focus is the industrial era. Our collections are pretty much the result of the textile industry in western Sweden, which took off in the early 19th century. We have older stuff as well, of course, and lots of handmade textiles too, but the things that stand out in our collections are nevertheless the clothing of ordinary people from the early 1900s through to the 1960s, a lot of it factory-produced. And the more I worked with these 'modern' clothes (they're not 14th century and therefore modern), the more interested I got. What would it feel like to wear a 1920s dress with a bandeau bra and a suspender belt to hold up the seamed stockings? How would I feel in a 1930s evening gown of bias cut rayon? And the wonderfully weird 1940s hats...hey! I would look great in one of those! Being allowed to handle all these amazing clothes was, and still is, a great privilege and the curator in me would never ever dream of putting on something with an inventory number. But the ever-curious reenactor in me still wanted to know what wearing them felt like, so I began looking for vintage clothing to buy for myself. Luckily for me, the Textile Museum doesn't buy things for the collections at the moment (except for textile art), so me raiding second hand shops and online auctions for old clothes doesn't create a conflict of interest.

Little by little, I got myself a small vintage wardrobe, focused mainly on the 1930s to early 40s. My work has certainly benefitted from this hobby, and vice versa. I've developed a rather accurate feel for dating (female) pre-1950s clothing and for telling the difference between later styles that look like earlier ones and 'the real deal'. That many of my reenactment friends like the style of the interwar - WW2 period has naturally helped fuel my interest too.

Anyway. All this is just background for what this post is actually about: my re-newed attempt to join the Historical Sew Monthly. Last time, I failed miserably, but then my sewing was all 14th century. Since my goal with my medieval clothing these days is to use handwoven and naturally dyed fabrics as much as possible, one challenge a month is just a little too much... But now I've finally dragged out the old sewing machine and started learning how to make clothes the 20th century way, which means I might just stand a chance this time around. We'll see. Unfortunately (for me), the HSM has pushed back the date for 'historical' from 1945 to 1938 this time around, but I think I'll be able to stay away from the 40s for the challenges at least. If nothing else, it'll help my wardrobe to become more...temporally focused.
The theme for the first challenge of the year is Procrastination and I have the perfect item for that: A knitted jumper that I started in 2012:

Smart jumper - Australian Women's Weekly, 1936.

I found the pattern through Ravelry; it's in the Australian Women's Weekly magazine from March 14, 1936. I only had parts of the sleeves left to finish along with the jabot and collar. The reason I put it to the side three years ago is that I discovered that the alterations I had made to the pattern - adding two pattern repeats to the body part because I thought it wouldn't fit me otherwise - were completely unnecessary. The jumper had become too big instead and I got annoyed with myself for not measuring more carefully and put it away. Over the years I thought about finishing it several times, but put it off every time because I dreaded assembling it and having to deal with those irritating extra inches (which shouldn't have been there in the first place if I had just stuck to the original pattern, dammit!).

However, just before Christmas, a couple of friends and I went to play boule in 1930s getup and finished the evening off with a dignified pub crawl. I had such a great time, and although my brown woollen dress and matching hat worked very well, I kept thinking how perfect my unfinished jumper would be for a casual sporting activity like boule...and that I should really get over myself and just finish it. After Christmas, I finally did.

Gingerbread girl ready for boule and a pint down the pub. With a hat like that even the most mundane (or sordid...) activities become dignified!

I had a really, really bad cold over the holidays and no spare energy whatsoever. Sitting in the sofa knitting was just the perfect level of activity for me, and I picked up the Smart jumper again. The sleeves were done in no time (I knit them both at the same time) and the cause of my procrastination - those annoying extra inches - disappeared into the side seams without leaving too much bulk. Putting the rest of the pieces together went smoothly - handknitted wool is a really forgiving material. With a little dampness and heat it moulds to fit just about anything!

So here it is - my 1936 "Smart Jumper", just over three years in the making:

Australian Women's Weekly: "We feel sure that the woman who prefers smart simplicity, whose one desire is to present a well-groomed, tailored look to the world, will hasten to make this jumper, for it will be a permanently smart acquisition to the autumn and winter wardrobe."

Looking at the notes I made when I first started on the jumper, it seems I made it one repeat longer than the pattern said. I'm quite happy with it the way it is, but if I made another one (I won't!), I might add even more to the length, especially if I was going to wear it with a belt like in the drawing above.

With and without jabot. Australian Women's Weekly: "This long-sleeved jumper, with its charming fluted double jabot, is very becoming to those who cannot wear a perfectly plain jumper."

And here are the Historical Sew Monthly details for the Smart Jumper:

The Challenge: January 2016 - Procrastination 
Material: Wool 
Pattern: Smart Jumper, from Australian Women's Weekly March 14, 1936 [] 
Year: 1936 
Notions: None 
How historically accurate is it: Pretty much 100%. The pattern is vintage, I followed it to the letter (except for the alterations made to the size), and the material is correct. 
Hours to complete: No idea. Exactly three years and 2 months from start to finish because of that procrastination thing! 
First worn: For the photo. 
Total cost: Can't remember what I actually paid for the wool, but perhaps about €30/$33.

1 comment:

Harma said...

You are right. For wearing it with a belt, it should be at least 5 centimeters longer.
Nice work though. Quite different from the tights with the designer style repaired hole from a few years ago at the Forum. ;^)